—DE, François Ozon is no stranger to the Cannes Film Festival, having competed for the Palme d’Or with “Swimming Pool” and “Double Lover,” and he could’ve been back in the running for the festival’s top prize in 2020 with his new directorial effort “Summer of ’85.” Ozon is renowned for his fearless explorations of sexuality, and “Summer of ’85” is pure Ozon territory as it tells the story of a 16-year-old boy who capsizes off the coast of Normandy and is saved by an 18-year-old teenager. —EK, Edgar Wright’s latest has been veiled in secrecy for months, but no bother. The Safdie brothers? Jamie Foxx voices Joe Gardner, a mild-mannered middle school music teacher who has always dreamed of performing jazz at a lauded club, and the film follows his journey after his soul is accidentally booted out of his body. With a cast full of Cannes royalty and a director who’s achieved semi-mythic status in France, “Soeurs” would be a natural fit in the Competition lineup. This time, he ventures to Colombia to explore the experiences of a nomadic woman (Swinton) suffering from exploding head syndrome, which causes her to hear loud noises that don’t exist. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. —KE, The prankish sensibilities of French filmmaker Dupieux — who doubles as the DJ Mr. Oizu — have been well-established at Cannes over the years, with surreal gambits like the existential killer tire movie “Rubber” and last year’s demented jacket gimmick “Deerskin” proving that he has no shortage of outrageous ideas, and the wherewithal to pull them off. Of course. A semi-autobiographical drama about a filmmaking couple (Mia Wasikowska and Anders Danielsen Lie) who retreat to Ingmar Bergman’s resting place in order to write their next scripts and then slowly lose sight of the line between fiction and reality, Mia Hansen-Løve’s “Bergman Island” has been at the top of our “most anticipated” list since the project was first announced with Greta Gerwig in the lead role. Apichatpong Weerasethakul and Tilda Swinton, Weerasethakul’s movies are usually an acquired taste, but those willing to open themselves up to his singular vision are rewarded with truly unexpected ways of experiencing the modern world. Joe Wright’s “Rear Window”-style psychological thriller about the mental collapse of an agoraphobic, alcoholic psychologist (Amy Adams) has already endured many a pushback from Disney-owned 20th Century Studios. Potente first ventured into filmmaking with the 43-minute 2006 effort “Digging for Belladona,” the endearing story of a punk trapped in a 1918 melodrama that proved Potente had real directorial vision. Acquired during post-production by NEON as the U.S. distributed reaped the box office rewards of “Parasite,” the movie could be the latest to find support from the latest company to figure out how to push non-English cinema into the mainstream. Copyright © 2021 Penske Business Media, LLC. The Spanish Academy of Film Arts and Sciences announced this morning the films selected to compete for the # Goya2021 that will be held on March 6. Follow their news on social media via the #Cannes2020 hashtag and explore the 2020 SELECTION WEBSITE! Movies. THE FRENCH DISPATCH by Wes Anderson (USA) - 1h43, Production : INDIAN PAINTBRUSH PRODUCTIONS / AMERICAN EMPIRICAL PICTURES - International Sales : FOX SEARCHLIGHT PICTURES - French Distribution : THE WALT DISNEY COMPANY, Production : MANDARIN - International Sales : PLAYTIME - French Distribution : DIAPHANA, ASA GA KURU (True Mothers) by Naomi Kawase (Japan) - 2h20, Production : KINO FILMS CO - International Sales : PLAYTIME - French Distribution : HAUT ET COURT, LOVERS ROCK by Steve McQueen (United Kingdom) - 1h08, Production : TURBINE STUDIOS LIMITED - International Sales : TURBINE STUDIOS LIMITED, MANGROVE by Steve McQueen (United Kingdom) - 2h04, DRUK (Another Round) by Thomas Vinterberg - (Danemark) - 1h55, Production : ZENTROPA - International Sales : TRUSTNORDISK - French Distribution : HAUT ET COURT, ADN (DNA) by Maïwenn (France / Algeria) - 1h30, Production : WHY NOT PRODUCTIONS - Ventes : WILD BUNCH INTERNATIONAL, LAST WORDS by Jonathan Nossiter (USA) - 2h06, Production : STEMAL - International Sales : THE PARTY FILMS - French Distribution : JOUR2FÊTE, HEAVEN: TO THE LAND OF HAPPINESS by IM Sang-Soo (South Korea) - 1h40, Production : HIVE MEDIA CORP - International Sales : FINECUT, EL OLVIDO QUE SEREMOS (Forgotten we'll be) by Fernando Trueba (Spain) - 2h16, Production : CARACOL TELEVISION / DAGO GARCIA PRODUCCIONES - International Sales : FILM FACTORY ENTERTAINMENT, PENINSULA by YEON Sang-Ho (South Korea) - 1h54, Production : REDPETER FILMS - International Sales : CONTENTS PANDA - French Distribution : ARP SELECTION, IN THE DUSK (Au crépuscule) by Sharunas BARTAS (Lituania) - 2h06, Production : STUDIJA KINEMA/KINOELEKTRON - Ventes : LUXBOX - Distribution France : SHELLAC FILMS, DES HOMMES (Home Front) by Lucas BELVAUX - (Belgium) - 1h40, Production : SYNECDOCHE - International Sales : THE PARTY FILM SALES - French Distribution : AD VITAM, THE REAL THING by Kôji Fukada (Japan) - 3h48, Production : NAGOYA TV - International Sales : NAGOYA TV, PASSION SIMPLE by Danielle Arbid (Lebanon) - 1h36, Production : LES FILMS PELLÉAS - International Sales : PYRAMIDE INTERNATIONAL - French Distribution : PYRAMIDE DISTRIBUTION, A GOOD MAN by Marie Castille Mention-Schaar (France) - 1h47, Production : WILLOW FILMS - International Sales : PYRAMIDE INTERNATIONAL - French Distribution : PYRAMIDE DISTRIBUTION, LES CHOSES QU’ON DIT, LES CHOSES QU’ON FAIT by Emmanuel Mouret (France) - 2h, Production : MOBY DICK FILMS - International Sales : ELLE DRIVER - French Distribution : PYRAMIDE DISTRIBUTION, LIMBO by Ben Sharrock (United Kingdom) - 1h53, Production : CARAVAN CINEMA LTD - International Sales : PROTAGONIST PICTURES, ROUGE (Red Soil) by Farid Bentoumi (France) - 1h26, Production : LES FILMS VELVET - International Sales : WTFILMS - French Distribution : AD VITAM, Production : LAVA FILMS - International Sales : NEW EUROPE FILM SALES, TEDDY by Ludovic and Zoran Boukherma (France) - 1h28, Production : BAXTER FILMS - International Sales : WTFILMS - French Distribution : THE JOKERS FILMS, FEBRUARY (Février) by Kamen Kalev (Bulgaria) - 2h05, Production: KORO FILMS - WATERFRONT FILM / French Distribution : UFO DISTRIBUTION / International : Memento Films International, AMMONITE by Francis Lee (United Kingdom) - 2h, Production : SEE-SAW FILMS - International Sales : CROSS CITY FILMS - French Distribution : PYRAMIDE DISTRIBUTION, UN MÉDECIN DE NUIT by Elie Wajeman (France) - 1h40, Production : PARTIZAN FILMS - International Sales : BE FOR FILMS - French Distribution : DIAPHANA DISTRIBUTION, ENFANT TERRIBLE by Oskar Roehler (Germany) - 2h14, Production : BAVARIA FILMPRODUKTION - International Sales : PICTURE TREE INTERNATIONAL, NADIA, BUTTERFLY by Pascal Plante (Canada) - 1h46, Production : NEMESIS FILMS - International Sales : WAZABI FILMS, HERE WE ARE by Nir Bergman (Israel) - 1h34, Production : SPIRO FILMS - International Sales : MK2 FILMS, SEPTET: THE STORY OF HONG KONG by Ann Hui, Johnnie TO, Tsui Hark, Ringo Lam, Sammo Hung, Yuen Woo-Ping et Patrick Tam (Hong Kong) - 1h53, Production : MILKYWAY IMAGE - International Sales : MEDIA ASIA DISTRIBUTION, Production : PERCEVAL PICTURES - International Sales : HANWAY FILMS - French Distribution : METROPOLITAN FILMEXPORT, PLEASURE by Ninja Thyberg (Sweden) - 1h45, Production : PLATTFORM PRODUKTION - International Sales : VERSATILE, SLALOM by Charlène Favier (France) - 1h32, Production : MILLE ET UNE PRODUCTIONS - International Sales : THE PARTY FILM INTERNATIONAL SALES - French Distribution : JOUR2FÊTE, CASA DE ANTIGUIDADES (Memory House) by Joao Paulo Miranda Maria (Brazil) - 1h27, BROKEN KEYS (Fausse note) by Jimmy Keyrouz (Lebanon) - 1h30, Production : WHY NOT PRODUCTIONS - International Sales : WILD BUNCH INTERNATIONAL, BEGINNING (Au commencement) by Dea Kulumbegashvili (Georgia) - 2h, Production : FIRST PICTURE / O.F.A - International Sales : WILD BUNCH INTERNATIONAL, GAGARINE by Fanny Liatard et Jérémy Trouilh (France) - 1h35, Production : HAUT ET COURT - International Sales : TOTEM FILMS - French Distribution : HAUT ET COURT, 16 PRINTEMPS by Suzanne Lindon (France) - 1h13, Production : AVENUE B PRODUCTIONS - International Sales : LUXBOX - French Distribution : PANAME DISTRIBUTION, VAURIEN by Peter Dourountzis (France) - 1h35, Production : 10:15 PRODUCTIONS - International Sales : KINOLOGY - French Distribution : REZO FILMS, GARÇON CHIFFON by Nicolas Maury (France) - 1h48, Production : CG CINEMA - International Sales : LES FILMS DU LOSANGE - French Distribution : LES FILMS DU LOSANGE, SI LE VENT TOMBE (Should the Wind Drop) by Nora Martirosyan (Armenia) - 1h40 - Copresented with l'ACID, Production : SISTER PRODUCTIONS - International Sales : INDIE INTERNATIONAL SALES - French Distribution : ROUGE DISTRIBUTION, JOHN AND THE HOLE by Pascual Sisto (Spain) - 1h38, STRIDING INTO THE WIND (Courir au gré du vent) by WEI Shujun (China) - 2h36, THE DEATH OF CINEMA AND MY FATHER TOO (La Mort du cinéma et de mon père aussi) by Dani Rosenberg (Israel) - 1h40, Production : PARDES FILMS  - International Sales : FILMS BOUTIQUE - French Distribution: NOUR FILMS, EN ROUTE POUR LE MILLIARD (Downstream to Kinshasa) by Dieudo Hamadi - (Democratic Republic of Congo) - 1h30, Production : LES FILMS DE L'OEIL SAUVAGE - International Sales : ANDANA FILMS, THE TRUFFLE HUNTERS by Michael Dweck et Gregory Kershaw (USA) - 1h24 Spanish film director and screenwriter Pedro Almodóvar was the President of the Jury for the festival and Italian actress Monica Bellucci hosted the opening and closing ceremonies. That means promising new movies like Chloé Zhao’s reportedly unfinished “Nomadland” didn’t show up here; ditto Sofia Coppola’s “On the Rocks,” which apparently already committed to a Venice launch. Unfolding through home video material and poignant footage of understated moments in Rich’s personal struggle, “Time” transcends the traditional boundaries of socially conscious filmmaking to become an illuminating window into the intimate casualties of the American justice system. Sign Up: Stay on top of the latest breaking film and TV news! Given the unpredictable circumstances, it’s impossible to know whether that timeline is realistic — but Cannes wouldn’t be Cannes if it didn’t project an aura of confidence about what it was doing, and for the time being, the world’s most glamorous festival still plans to hold a 2020 edition. After breaking onto the international stage with her widely acclaimed “Inch’Allah Dimanche” in 2001, Yamina Benguigui — a French filmmaker of Algerian descent — seemed poised to become a mainstay on the international festival circuit. Before you can say “The Bling Ring,” well yes: Some who have seen it are already making the comparison. No matter her method of telling the story, the Romola Garai-starring film has plenty of real-life drama to pull from. Production : GO GIGI GO PRODUCTIONS LLC - Distribution France : SONY PICTURES RELEASING, 9 JOURS A RAQQA by Xavier de Lauzanne - (France) - 1h30, ANTOINETTE DANS LES CÉVENNES by Caroline Vignal (France) - 1h35, Production : CHAPKA FILMS  / LA FILMERIE - International Sales : PLAYTIME - French Distribution : DIAPHANA DISTRIBUTION, LES DEUX ALFRED by Bruno Podalydès (France) - 1h30, Production : WHY NOT PRODUCTIONS - French Distribution : UGC DISTRIBUTION, UN TRIOMPHE (The big hit) by Emmanuel Courcol (France) - 1h40, Production : AGAT FILMS & CIE - International Sales : MK2 FILMS - French Distribution : MEMENTO FILMS DISTRIBUTION, L’ORIGINE DU MONDE by Laurent Lafitte (France) - 1st film, Production : TRESOR FILMS - International Sales : STUDIO CANAL - French Distribution : STUDIO CANAL, LE DISCOURS by Laurent Tirard (France) - 1h27, Production : LES FILMS SUR MESURE - International Sales : CHARADES - French Distribution : LE PACTE, AYA TO MAJO (Earwig and the Witch) by Gorô Miyazaki (Japan) - 1h22, Production : NHK / NHK ENTERPRISES / STUDIO GHIBLI - International Sales : WILD BUNCH INTERNATIONAL, FLEE by Jonas Poher Rasmussen (Denmark) - 1h30, Production : FINAL CUT FOR REAL / SUN CREATURE STUDIO - International Sales : CINEPHIL, JOSEP by Aurel (France) - 1h20 - 1st film, Production : LES FILMS D'ICI - International Sales : THE PARTY FILM SALES - French Distribution : SOPHIE DULAC DISTRIBUTION, Production : PIXAR ANIMATION STUDIOS - French Distribution : THE WALT DISNEY COMPANY. The film is… His kitchen-sink drama “The Son’s Room” picked up the Palme d’Or in 2001, and he served as president of the jury in 2012, the year that Michael Haneke’s “Amour” took home the top prize before going on to earn five Academy Award nominations. Shot in two parts and co-starring Tim Roth and Vicky Krieps, “Bergman Island” finally wrapped in the middle of the last summer. Interviews with leading film and TV creators about their process and craft. These are the ingredients of the Cannes Film Festival – an annual showcase of the biggest and best new movies from esteemed filmmakers around the … David Robert Mitchell? This Article is related to: Film and tagged Cannes, Christopher Nolan, Edgar Wright, Festivals, Wes Anderson. It’s too soon to know if Yeon will be able to recapture the same lightning in a bottle on a much bigger canvas, but it’s safe to assume that Cannes will be the first place to find out; “Train to Busan” premiered in a midnight slot there, and “Peninsula” will almost certainly follow suit if it can. —EK. It still could be if Cannes’ plan to delay the 2020 festival to late June holds, as Warner Bros. is opening “Tenet” in July. In 1951 agreement was reached to hold the Cannes Film Festival in May and the Venice Film Festival in the autumn. Award-winners and contenders from Cannes Film Festival (2010) Menu. Despite her formidable intellect, her personal life was fraught, and she was often at the mercy of her cruel long-time partner Edward Aveling (played by Patrick Kennedy). However, while festivals ranging from SXSW to Tribeca canceled or postponed their plans, the splashiest celebration of cinema on the calendar was holding out for its May dates as long as possible. Why not. A film that premiered at the Cannes Film Festival this week reportedly caused outrage and prompted walkouts due to its lengthy ... Kechiche is best known for his 2013 movie … Just because Cannes won’t take place at the usual time doesn’t change the caliber of cinema that could have shown up there — and, hey, still might — so we’re proceeding with business as usual. But no matter how much the world has put its major events on hold, there are a wealth of other finished or just-finished projects out there that look strong enough to justify a Cannes launch, if and when that happens. The 39th Cannes Film Festival was held from 8 to 19 May 1986.The Palme d'Or went to The Mission by Roland Joffé.. For a festival that loves stars, it would not have gotten better than the red carpet for “The French Dispatch”: Tilda Swinton, Bill Murray, Timothee Chalamet, Lea Seydoux, Benicio del Toro, Elisabeth Moss, Owen Wilson, Frances McDormand, and more. Eleanor was a socialist activist with her own big ideas about how the world (and the government) should work. The specifics of that gift remain shrouded in question, but knowing Carax, it’s safe to assume that much about the narrative defies easy description. The festival opened with Le Grand Bleu, directed by Luc Besson and closed with Willow, directed by Ron Howard. and rising talents (from Glenn Powell to Jay Ellis, Danny Ramirez to Lewis Pullman), and would have benefited immensely from the global stage Cannes sets out. In any case, what we do know is more than enough to get excited. Since then, radio silence…until last year, when Carax finally started production on what has sounded like his most ambitious project to date, and his first foray into English language. Short films (between 1 and 35 minutes) can be registered for the Short Film Corner: a meeting place dedicated to short films within the Festival de Cannes. Hot off 2018’s HBO miniseries “Sharp Objects,” Adams is your go-to gal for boozy existential peril. The 72nd annual Cannes Film Festival took place from 14 to 25 May 2019. Nineteen years since “Inch’Allah Dimanche” premiered at TIFF, Benguigui has wrapped a new fiction project. After all, when have Wright’s films ever benefited from leaking loglines? The two boys became fast friends as Ozon tracks their budding relationship over the course of one summer. —KE. Adam Driver stars as a standup comedian who, along with his famous soprano wife played by Marion Cotillard, raises a child with an enigmatic gift. A landmark of the Italian neorealist movement, Rome, Open City was one of 11 winners at the 1946 festival. Jennifer Connelly!) While the premise of “Home” suggests a more grounded drama, the movie is produced by leading German film company Augenschein Filmproduktion, which also counts the astounding 2017 Georgian drama “My Happy Family” and the Joseph Gordon-Levitt thriller “7500” among its recent output. With “Mona Lisa and the Blood Moon,” Amirpour has lined up her biggest cast yet, including Kate Hudson, Craig Robinson, and Korean actress Jun Jong-Seo, the breakout supporting star of 2018’s Cannes sensation “Burning.”, With another original script from Amirpour, this time using the fantasy and adventure genres as her springboard, “Mona Lisa” turns on a young girl with magical and potentially volatile powers. But with such a young director behind the camera, if “The Hill Where the Lionesses Roar” really delivers on its potential, its festival positioning could turn Bajrami into the big breakout of the year, whenever it gets out there. Moretti’s more recent films, from 2015’s “My Mother” to 2011’s “We Have a Pope,” bring humor to serious subject matter, often bringing a much needed lightness to a Croisette lined with heavy, heavy movies. “Last Night in Soho” (Edgar Wright) Edgar Wright’s latest has been veiled in secrecy for months, but … This new comedy could be her long-awaited return to the spotlight: The movie stars Laure Calamy and Benjamin Lavernhe in the story of a woman who books a getaway in the countryside with her lover — only to wind up stuck there when he cancels to be with his wife at the last minute. Jeff Nichols? Alice, an actress, wants to direct an indie picture. For the occasion, Thierry Frémaux, the Festival's General Delegate, has unveiled the 2020's Official Selection, comprising fifty-six films to be accompanied by the Festival for their release in cinemas and screenings at certain festivals. Adapted from author AJ Finn’s 2018 potboiler, it was originally slated for an October 2019 awards season release, then moved to May 15 of this year, and then moved again into the ether as its fate — like so many movies right now — remains unknown. —KE, Despite its stature as the world’s most prestigious film festival, Cannes has long been unable to ignore the allure (and the marketing firepower) of big-budget animated offerings from the Hollywood set — this is a festival where both “Shrek” and “Shrek 2” didn’t just premiere, but did so in competition, after all — but it’s been able to marry artistry and studio sensibility when it comes to Pixar debuts. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. After the extreme adult eroticism of “Double Lover,” Ozon lovers might be relieved to see the director putting his lens on teenage love. ), Dupieux’s storytelling always takes baffling turns — think David Lynch meets Monty Python — and it’s safe to assume that “Mandibules” will deliver a very appealing ride. Stay on top of the latest breaking film and TV news! German actress Potente has been a recognizable face in current cinema for over 20 years, starting with her iconic turn in “Run Lola Run,” and continuing through a string of Hollywood credits, from “Blow” to “The Bourne Identity.” This year, however, she’s poised to move into the directing chair with her feature-length debut with the California-set “Home,” which stars Jake McLaughlin as an ex-con who returns from a 20-year prison stint and struggles to settle back into his old hometown despite lingering resentment for the crime that put him away in the first place. Cannes would have been a natural platform for his latest bizarro cinematic adventure, which has the sort of ludicrous premise that only Dupieux could envision: It’s the story of two friends (comedy duo Grégoire Ludig and David Marsais) who discover a fly trapped in a car boot and train it to do tricks for easy money. Maïwenn’s previous films demonstrated dexterity behind of and in front of the camera, and both with a tremendous capacity to disturb as the director and actress puts the crimes of her country past on trial. Mexican filmmaker Alejandro González Iñárritu served as jury president. Opening film – out of competition Les Fantômes d’Ismaël (dir: Arnaud Desplechin) Competition (BPM) Beats Per Minute (dir: Robin Campillo) The Beguiled (dir: Sofia Coppola) The Day After (dir: Hong Sang-soo) A Gentle Creature (dir: Sergei Loznitsa) Good Time (dirs: Benny & Josh Safdie) Happy End (dir: Michael Haneke) In the Fade (dir: Fatih Akin) Jupiter’s Moon (dir: Kornél Mundruczó) The Killing of a Sacred Deer (dir: Yo… Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. “ADN” has the potential to do that in an even more personal way than before. But her interest in the plight of French immigrants ultimately led Benguigui in a different direction; after making a small number of documentaries that shared the social concerns of her debut feature, Benguigui followed her convictions into the political arena, fighting for human rights on Paris’ city council and then serving at the Ministry of Foreign Affairs. Like most of the major media events that were scheduled for the coming weeks, the Cannes Film Festival has been put on hold. Other details are slim, but we know that “Soul” — which is also the rare Pixar feature focused on a person of color — will see Joe attempting to reunite his body and soul after learning some big lessons along the way. ), Wright has wrangled a thrilling new co-writer in “1917” scribe Krysty Wilson-Cairns, a history buff who we can only hope brings those obsessions to the film. When the film’s rights sold at last year’ Cannes, Screen reported that Nicchiarelli would rely on “the insertion of period photographs and footage, the ironic use of contemporary music, and a minimalist aesthetic for clothing and furnishing” to subvert the usual genre trappings. On Wednesday 3 June at 6:00pm, Pierre Lescure and Thierry Frémaux have announced the line-up of the 73rd edition of the Festival de Cannes, live from the UGC Normandie in Paris. Featuring a darling cast of rising stars like Thomasin McKenzie and Anya Taylor-Joy alongside bona fide legends like Diana Rigg and Terence Stamp, the film is reported to be a “psychological horror film” with some sort of time travel twist. Christopher Nolan is no stranger to Cannes buzz. The film also stars Gugu Mbatha-Raw, Penelope Wilton, and Lucas Bond and promises something increasingly rare: a new look at wartime through the eyes of a female lead. Israeli director Ari Folman emerged as one of the most exciting voices in contemporary animation with his 2008 Cannes entry “Waltz With Bashir,” an innovative rotoscoped documentary about the 1982 Lebanon invasion that pushed the animated form in an exciting new direction. Cannes festival 2019: full list of films This article is more than 1 year old All the films screening at the 72nd edition of France’s celebrated film festival The filmmaker has described the movie as another dreamlike descent into a lyrical world just a few degrees removed from the real one, while still immersed in real places and people. —ZS. —KE. —EK. The 2020 selection encompasses 11 short films from 12 different countries, for a total running time of 2h24. However, due to the COVID-19 pandemic in France, festival management announced on 14 April 2020 that the festival could not be held in its "original form", with alternative means of observing the festival being explored. She smashed the conventions of vampire movies and spaghetti westerns with 2014’s “A Girl Walks Home Alone at Night,” and did it again with the post-apocalyptic shoot-em-up “The Bad Batch,” the Iranian-American director’s 2017 English-language debut. For his latest project, Folman has tackled one of the most widely known literary figures of the 20th century by giving her a whole new platform. “Vincere” (2009) The early life and rise to power of Benito Mussolini is the subject of this thrillingly … Grossing more than $90 million worldwide, Yeon Sang-ho’s frenetic “Train to Busan” stood above the recent horde of zombie movies because of memorable performances, a clever use of space, and an open-hearted message about the need to stick together in the face of a crisis (good advice!). Over 20 notable film festivals from around the world including Cannes and Sundance have joined together to stream movies free on YouTube. Thai auteur Weerasethakul has been a Cannes regular ever since “Uncle Boonmee Who Could Recall His Past Lives” won the Palme d’Or in 2010, but “Memoria” marks the first time he’s worked outside his own country. See more hits from Cannes. Amirpour has yet to bring a film to Cannes, and with increased pressure on the festival to make room for women directors, especially diverse ones, um, hello, there’s a visionary one right here. Niccharelli has never screened at Cannes before, but she’s been a longtime favorite of Venice, and seems poised to take the next step in the international arena. The short films competition, which culminates in the jury awarding the Short Film Palme d’or, will take place next autumn at the Palais des festivals in Cannes. Movies. It’s safe to assume that “Home” will provide an actor’s showcase from a fixture of international cinema poised to break out in a whole new way, and Cannes would be the ideal place to start that story. 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